胆包%天

剧情简介

Umberto Lenzi is undoubtedly the king of Italian cr[`(ime movi??(es, but un!fort ^unately;"=" Synd i%cate Sa

"dist$, "s is n ;ot the best examp=: ??les of his work in thi%s gen)re. Lenzi'_s c rime f'licks tend to be& a ?cut ab@.ove^@ the rest because h?$"e makes <'$films base\d on ^`s =t-([ories with+!' a point, and^ they d&o_"n;*'t lac %k $dire`ctio$. n; but*[ t -]hi_%`s film feel/s a bit too;'<" w - [ay];wa=]#$r\d to+ fully fit_*>) with th e rest
- & `\+of his st -=uff. The film takes obv+i'#ous infl])uenc\e&
 from Sergio Leon.e'
s landmark west[/ ern '%]A Fistful o= f Doll:]ar(s' (wh^$ich i\;n/ [t
@u;.rn, - >took influenc_e from Akira Kurosaw,a's landma%,>r.k -&s+amurai flick Yo:jimbo)(),[/ in th>(at i,\t fe-a>.tures two w@arring ]families ^)and a s+._@[trong>,? character at =]the centre. Th*.]e "cr(im>e that Le<)nz! "i focuses o-n i$ s#< kidn/;?appi,< n] g\,  and(-" we&[ c_=^entre on a characte r <]:called 'Rambo'. Rambo&$; is dragged  in to the war ?between the two families after his brother is kille#!$d _because* &\o%f it)?. Ra>mbo -uses his brain%s and--[  br"awn to @<p\'`it t`he )?`\;two families against one ano]_ ,ther,^!_ in
%^the hope *.[?of^?\ gaining revenge for his brother's @death, res`cuing a .:young
boy that the`)y]
'v+=e kidnap=pe ."$d* ., and ultima
tely le (t+,tin'`g th;e tw&:o&)$ sides destroy on?!e. !anot-_+ her]#+.#"];　　T=$he film''s 'biggest ass. _"et^!, is undoubtedly Tomas Milian. Mi!-l[
[*i[an was put to great use by  ,Lenzi !i#$+n almost :all,': !=.o.f hi"%^s crime thrillers )^. The ran#<g:e of charac*t">_er@]s he has pla& yed for Lenzi is*$` immense, *?and "this one is &,ea=sily /,one of the coolest. The cha:+racter <%is called Ramb(o, whic:'h i,@>;mmed,iately sprang +$to mind the popular %Sylvester Sta /@llone c haracter ]: - b ut for once, t!-@he Ital$
i" an :%s actua)<(lly ha*/v<=)en') t(&;$ stolen this# name as Syndica&\te S/ad` ists wa
s released first!);' As usual,=! the f-ilm is wickedly@*
_entertaini,#:n-$,g, as w'e get to watch Mi?:lian get hi ms^,\elf involved in the usu< al arra),y of car c)has`#es, sho#"o]@touts' and brawls. L%en@<zi has` $_;]go`,"t*,
him riding \\
`a m*^$oto^[rb:, ike this time round, an+!$.d ,every scene featu[:r!&@?ing i?\t_ and Milian is a real sta
ndout! Howeve/\r,= '>]_the film: often feels like>^ it doesn't rea.%*'lly ha <>ve ]an;ywhere to go, and this mea!,ns th^at the r! !unni"ng ti,`=m-e is stretc_%$hed out more $.t<han\ it shou_+`ld >\'>be. Com%$pared t +o
 *,t^he crime
`  films )of oth< $er It\alian di
recto* ]rs, Synd..ic>ate( Sadi:-sts`: is  m*@ore than `'above average; but i;n relatio/(n to:: Lenzi( crime f**(licks such as Alm@?os t Human and T$!he Cyni-c>-@, Th,e Rat and The Fis$
^<t"$ - it does]n't stand <,tall a.s one of Lenzi's be<st. Still, i@ f you'r?e +^>look$/ing `=for nine #(t`-y m inutes of=_ testostero?;ne fuelled mayhem - Synd$+
ic)ate Sa_?d),ists 'will suf^'f/ _ice!