米兰九&];"口径

剧情简介

Fernand o Di Leo%- 's <Milano C.%alibro=\` 9 >)'[is an out-and-out ?masterpi!/;!e/^@ce of Italian Cri[me ci@`]<nema &_*a>'n][=d, in my opinion, o&,ne_ of* the  \most astonis+<&h<ing crime st]
\ories `e+"ver tol!'d. "The^/[ first f
'?ilm in,." Di Leo's excell ent '$/<Mil',i ?e] u'_ trilog(y, M=ilano Cali.]bro 9 was foll[_owed by La Mala/,& _#=Ordi@ @na (a].k[;a. M\#^anhunt, &also 1972) \and the br\illi+ant Il B,o-ss (1973)\ 
. Th[((e three films .are not conne_cted st >or y-w<\`ise^+, '+b ]\ut all thre`.e ar !e excellent, an?)d hi;%@#,g^hly*/% realis$.t<ic port[rayal]s of organized crime. As f
ar as I am co=n>cerned Man;&hunt is (%allt'houg.h excellent
) slightly inferior&! to&@ this one $and Il $Bo%.$^ss w&.-+hi,ch ':\bo)#th`? stand out^_@! as*;) absolu\=te@;# <$all-time highlights of cr<--ime cin[ema.> Mila[`no#,\ Cal\!ibro 9 is *the best of them all, a film< th ^]at.$  is as)>toni:#shi>": ng in all [
?!aspects, be it th(e %\:inge)>/nious plot that, *[apar?t]>` from a co]^mpell/
@@ing story ";/and cl^= ,e. v;er twis":ts, includes s`+ocial criti.*cism) *\, th^e" p);^erf/#_]or?]\man\'*]ces, : the gritty atmos"]phere an;> d suspense or the brilliant_ score. I can hardly fin")*d t*.he right ! wor ds to \#express ([my adm_i=.ration @\for[  this m"[asterpiece w.
#hich easily 
r^a [)n>-k&
s among ]the greatest Ga!ngs>=ter f;/]licks e<;ver b r$#*ought t@%o scre;en%)'_.　　Gasto@n++e M^&_o'?sc;[hi
) n star=(^s as Ugo Piaz#^za(/`, a tough and ellip+"tical e ^
x;@-convict wh*_o has just `;b)ee n release_]d from p([rison. Immediate\ly after his `;\ rele;a,(s.e, Ugo is approach>
ed by members @? ^[of the Milan` \mob lead by the ir]ascible ga"ngst"er Rocco (Mario Adorf), as they s!%-uspect hi>m to be'[. resp
$onsible fo]r\; the dis-;appeara #nce `? "of a large sum of money bel% <onging to their b o!ss,:%& an America n (L;`$+ionel Stander) who con_+*trols = t#]he
organize+
`d crime in." Milan...-　　Milano% C,?alib# ro 9 is a film#, that d-e_\live\&rs an ast]on>,is':hingly'^\ realist%'ic moo@
d of the `un %derw[(#orld \;
 lik+&@e @>hardly\! another. The int/^ ri
#guing storyline$ )goes in _-hand with interestin&g "ch(a$
ract]ers, raw a"$:tmospher
'e, su,*sp=ense 
]?and breat
/=htaking\, action, so? [_cial c).=%riticism and br# utal vi,, *olence. :&'T :^he
f .#i`[?=lm is simply stunni&\?ng fr(om the* :be"gin+n"&ing to the end, which is ?e/(v>\en in$,tensi*fied @"by the bri)?-lliant /\ score, a collaborati<o?>n[`< of the famou
s composer L\@"uis E\ nríq@`ue/z (Bacalov & -and the \/$Italian P:*rogressive R< .ock%[ b@a[]nd Osann &a. Ugo Pia@^$[>zza must b\@<e ;one of the most char@=ismatic gangster: charac$,ters ever in c ^/".i)><nem/[_a, and Ga!`s'(#tone )."=Moschin !>$w@]as the ! prefect cho""
ic$/ e for the rol#e. Moschin d% elive&>rs a brilli$an_]t > \$per:formanc[e, an?&d th \e rest o:`.f t?he c>)
$*ast is also great. Mari=:o Adorf is ]irascib: le %l.*&ik\=e`[ a rabid dog a =s the fero<cio-us $gangster Roc, \[co, a !r^(ole that fi"(ts him lik'*e #a glove.^.) T\he great)#, Lionel Stander fit /]s perfect=&ly in his r@ (&ole o
@_&f th >e"$- \American Mafia=$ D(on?.　&　The tw'=o cop ]c> haracte'rs in <the film are played .\,b$]^y two +!of"*. the greatest regulars of _Italian genre-cine! m _%a, Luigi Pist [)illi and =,F-#rank Wolf)f./_ ..(who commi]tted su icide=@? before the film.
 was rel eased). The ravishing B))ar!:bara Bouch+et is
]astonishing a nd incredib*;/ly sex +y in the rol>(?e +:of Ugo Piazza's stripp.<
er )girlfriend. Bo>^uchet is both a
_stunning bea*uty and an e_&xcellent actress `-( and t<); hi[s is doubtlessly one of her most m?,e,^mo rab=#le ro^le=s. Th%$is is also/. a polit.?ical film an<d (:director -[=?Di Le
o embedded a lot] '
`$o$f <\social :&> critici @;sm a@*^b:,<out) > _`topic%s like
^ corrupti:on. This fi lm simply has everything one can possibly desir.?>e in cine]$ma. <Films l'ike '#Milano Cal-*ibro )<9 a&*re the reason why I/ love c#inema". Thi*&s is +[an [;'absolute#) mast+erpiece in all re@
gards and, without "exaggeration,- one \&`#of the :^>;greatest ['`_Cr/i?:+m>$e flick"!s,$' ever made! The in[*geniou+%.s o`&@p> !en:\ing '-<scene a;!lon= e is more m\)[emorable than ! mos$t film)(s g et%- ,in- tw;o ho urs.