卧龙-`战警

剧情简介

Ha,ving wit&("^n ess /ed his junkie father kille"#].d \$^Rus.sell Stevens grows [up @ #%(!to be%c\o?)+me a policeman and ma+<-ke a dif_ference))/. '=:When he is offered an unde#"=rc%over job+ b@$y Ger`&ald Car[)ver he//,! accepts a]=*nd,; be (gi [[n&;s to build a r;elationship with> David Jason*`/ in+
order to : get t(o the m@
$&ain d;] %ealers?. Ho]-wever#?\ as* he ;*?@is for"ce ;d[[< to -deal &(d=ru`gs and%
kill to keep hi#+s #cover<"@ he finds the line)s betwe@e
/?n cop /?>!and cr [.i>> m; ina*l being lost – is he"&-* a cop p)><r$`et"/>ending _! to be a dealer =o*;r a dealer preten&_<[ding t[#o be ;:a cop　　La \rry (as he w%*:as then),* Fishbu\.rne's +_fi=,rs[>t lead rol@e was; %a typically dar.;,=k vehicl&;e.=- The story is the usual one> of co)p l `osing himself wh$)e&$n <u@ nderc.over, h$owever it manag#es to be more `
tha
@n that fo<r most of t]^!he t<ime. Co-written by T[#olk[
<in, w> ho w(
!rote T-.(he Pl:)a. yer, this natu-r&=)ally has a nice cynical edg\' e to _^it when it looks at the US's hypoc.><r'
itical approach to drug co \?ntrol and the political[]. links b: etwee/n the street hustle_`rs and the-: pol+:itical
> high rollers who.? court respe
<ct_\
/ability. The story does +]' @
eventua,$
lly se ^ttle in .^to a t\rad\+it:ion'&[al set ting but ev@e $n+' then it w#orks we:%%ll as a thri]/ll":/)<er.　　The mul ti-tal_ented Bill D@`?uke directs wel-*\#l with a gritty feel and[,. a few ni>\c-
e touche" >s#&. However sev
(eral @thing?-s are a bit if+fy. For most of+
* th:e fi\lm F"ishburn@ e's *narrationvoice over;?'
]i#+s( a b)$@.i>t li\ke a #>cross betw',`een Apocalypse Now and Blad+#e Ru]<?_nner – it comes ac(ross as^ a l%%it_`.tle > too dar
k "-and heavy and also expl.#ains \*things like we can't figur e it out o>urselves. Howev$,& er once you get into t$/he film it's not as big a d+"eal. My main probl?e?/ m lies with the=_ char=">
a%` cters.　　Fi\?shburne is'\ -?<excelle*#nt, a rea@_`:l model o-$\f un*>derl/ ying \anger ;a^nd vi=olence, Goldblum is go`od !+but pe>@rh&]a@p<"?s #$a li ttl)e OTT on the# yu*ppieviol%:<en>=ce (+ thi^n% g, bu[)t there's good?%?)  ^s>@upport from Smith a#=nd Sp`#in City's" beautiful (an<)-d often (underu+ sed –%[ !but n^ot]<< here) Victoria/=; Dillard. Howeve>r the;: two m/>ai?n whi!,),t'<e c-$;harac#te<rs ()^Goldblum an$d Smith) a
,]re bot+&h sm&/)e#_ared with 'racist,? i/
nsinuations  – Sm]#ith a,ppears >=$to insult _;his bl%ack o& \ffi(&"ce-%!& rs and doesn't -"care about the jun](k,i^
es, wh,ile Goldblum is fascinate_+d *^abou
)t a@+
ll thin' >gs black^ and talks ab#?out t.>hem as wild be&aut,iful$&
 beasts and +"loves : having se ?x wit?]h black'. These things aren@
)'t a major pr $o@>#blem,&* /`but with basic_ally only .=two<$`$ white cha^;*racte"<<,*rs in i.!t, it'%(/s a little ]worr"yi+ng that bo^*+>>th are given that ed;[
g\<e.　　H")_^owever@ thes>e are m[\in"-o"<r comp(laints that get"^ l%ost with a g$oo`))d t*#hr >
ille]r$,#. Fish<] _b+$`urne excels and Duke de,%livers a &\>"story "th
?at is a \ good -thrill<$er but also ha[ <s a jad^]ed, subversive )edge.