诱饵;-, 2019

剧情简介

康沃尔渔村的,"[风景明信片田园诗误导_<+了人们。虽然< 过去钓鱼是^一种养家糊口的方式，但如今`富有的伦敦游客']&纷纷下山\
，取代了当地人，当地人的生计因此受到威胁。史蒂文和马丁兄弟的关^"系也很紧张。马丁是一个没有船的渔夫，因为史 ( 蒂文开始用它来为一\整天的游客+>>提供更赚钱的旅游。他们卖.掉[@+了这座家庭"),>别/%墅，现在看来，最后一场/战斗%是/和=*-新主人在海边'的停车位上展开。然而，情况/-
很快 就?>失控了，而不仅仅*#%是因为车轮夹
*钳。　　B\(ai^)!
t是一种黑>#白\]<#@，手工制作，@#16毫/?米胶片^.\^制]+)作的电影。许多关于鱼、网、龙虾、长靴、 绳<!%
@结和渔篮的特写镜头让人想起了蒙太奇景&点的理论。+@.@对不同社会]阶.^层的"(>;描述:[——&可以说是+阶级关系"——$-也让人想起了#英国电影)&?中的社会现实主义传统。然"而，最 &+$重要的是，在影像中)不同层次的?
电影历史参考文献之
'下 _，当前许多.政]['治关\> 联正在等待被发现< `&"。　　* The pict*_&ure-(:>p `ostcard idyll of the Cornwall?# fishing village is misleading..-' W[[`hil[-e fishing used t'$o be a way of supp!.orting )+one>s<?+elf, w'>@ealthy London tourists have no"@.w de
?scended -!and are d;%ispla__cing the locals,+\* whose liveli*hood[ +^is thus threatened. ]!The;% relation[\_s` hip b)'et+%(ween ( brothers St.&.;ev=en an '&d Ma>r "tin is also straine?`d. Martin is a fisherman ;$,witho=ut *a boat, si-$nce Steven started u ?s[(ing it
` $<-for fa^/r mor* e lu?( crative 
tou\[rs f
>or a`_l"-!l</ th.e day-trippers. They’v?!e sold the family cottage $#and now it see[&\ms th(^at t=he final b?"attle&* to be fought  ]? is that )with th@ e new owne]rs
 over the>_ parking space next to t<he sea '.<^;$ Y(e;t the s?=!it`:uation soon ge#\ts out o,,f= ]ha nd, an#[d
)) not  just because&)( of t]he w)heel clam![^p_.　　B']a'\it is a black-,(^an-d-white f'> i,]lm s:^+hot ^'on_ #)" ha/"nd-processed 16 \(mm.
Numero=us close-u*#ps of f>)"ish, n
(e%>ts, lob_,st=$!ers, w"el\[lington boots, knots_ and catch baske] -ts b&*+ring to ..mind the theory of a m<ontag&!e o
%.f >attractions." The depiction of< the diff>+erent social strat "!a – one co".,-uld spea)=k of^[ c] -la<+ss ;>r(elations –>/ is a'lso reminiscent of the tra:@ditio n of social realism in British cine;>ma. A$&bove all, however, a whole lot of current politic%+a#<.l releva&nce is% waiting to be di/
sco/vered ^<beneat)h the .different layers of film ;histo@;rical r%,e[`\feren$ ce?s$# ! ^con"t>$ained in the images.