荣耀%" 六十年

剧情简介

Sixty_ , Glorious Y/:+ears is an+ exerc *ise ? i*n the creation of i(c[>onography, bo&.th f],or Victoria and its star, Anna N
_ea\^gl!e (wh,&@o subseque;ntly beca%;me k)nown/] as 'Regal Ne`?ag)'-le'). Just as Elizabeth I comm#*ission# .ed ^-art"ists to create`;' flat =;t&.[>ering ]!+[iconic i<*'^mages for pub):&li>^c c./onsumpt@<i, on, so thi+;s film p*erform(s a $
*simila,r ^)
?fun"ction, for Neagle=@> is!^/ more ?;(beautiful than.` the real lif;'/e "_Vi!c/'"*toria. C_&*+ontrovers[ ial event(s ('#suc.*,h as$; the 'Irish &!*=p>`roblem') are om. itted and unpleasant aspect -"s of Victori&a's character (her p`=e:@tulance, arrogance/, f);av^ouritism and 'r)ight to privilege '].) ar)e glo-`ss;e+d over a&@@s endearing li!(+^ttle '^[whims'. Albert acts as;- a moderat\($ing in
fluenc$/e when she goes too far.　&"　The +film f= ]_ollowed a year ;)af,+@ter the highly succes'sful Vic( t][> o+r;:(ia *%t&? @he(`( G* rea-t (\)*(d. Herbert Wi+^`lcox,$ 1937). Ag)ain the scree  n+pl #ay is by&-@ Miles?] Malleso>$n and (Rober! @t Vansittart, and many of the supporting ca !st (the cream of acting talent of/- period) r.epeat their roles, t]=:his time =>fo r the$ colo $!ur camer%^a<'[]s. , T.\his w#!as the first full length>? Technicolor film of @ cinematograph>"(er <<Fre^ddi.)*e Young, who cap$tur%?)es t.h*e$  sp-ectacle of^(, royal -)'&weddings, gra?n$< d "<
b+(-:'all#!!s an-,d opulent< interior ]s, with scenes act(,ually:[=# filmed at roy/al palac<e"+$$s. Vivid battle'"` scenes, set i)n Al#\e_#xander Korda'/=s emp::]ire territ;,+ory (S+$evastopol')
and the#@) Su dan), r;>(#iv?a&l those .=]in The F\]#o
/@ur Feathers (d.$ Zo>"ltan*]< Kor;
da 1939$< \)
.)%　　T("`-he &title musi+"c= s*ets t$\&he to)= ne a r:_ega+ l choir sing+]s over a .sh "
ot  o/?f the crown. Elgar's 190. 1 'Pom>)`=p a !?nd Circum[+st *a)&&\nce]*#`' march]]:% is heard dur
ing the*  di%=amond #jubi_\lee celebrati)ons* and%*?, as Victoria's &co]f[@fin li,#;es in state, the film conclud;e:.s with A$-^nthony=^ Collins' state[+;l[y $musi"$c accompanied by the (text of Rudyard Kipling's 'Lest(.! we for^get'. C@`\ombined]= with the emotional!. appeal of sc\ enes+" of Vict$ oria connecti'[ng with h@er '".ordi_+.^nary f.^olk', this is& stirring stuff,.　　The film%; connects with contemporary events% of 1">*93.8.@ The release of two cele
bra)tory r.o\yal fil m(/s was i`n-<(ten> ded to*+ boost< ",publ
&ic affe:@^c* %t!&ion for the >m@onarchy i
n the wake of E/ ;d war:d")^' VIII's abdi<c*ation) . Anglo-G!e!<rman >@relation#s were _\anot>]&h>[er touchy subje. ct+'. Wi"th anot%her war on the horizon, i= nfluential voices[* wanted appe:.(asement,(*
and ['#the film c=,ould be seen to fit that agen@da. Vic&tor%$&?ia herself(,!' was$! o\)&f main@<ly@ = Germa;n de\sce\nt, nickn ame.!d $@"
#'the grandmother o\f Eu[=`^(rope',%;$` while Al^b
"(ert is a '$go$+-od ,Germa&n', c/$ha--r&;mingly play#ed by Anton\" : Walb
(r 
ook as ,a cultured, decen;t ma n.):　` 　Sixty Glorious Years now seem[\^s unduly fo)rmal and - reverential.:-=) Had movi`%es existe=/^^d dur_ing Victoria's r_\e%@<ign (they o><nly e *me`rged
a]t the en d) t.h<is ^+
&mig #ht> h[>`ave been the)' kind o:f fil`[
,m pro?
^d'
#uced. Unlik?_(e Mr@-s Brown (':d. John Madden, 1997), it is al
,=l so v!:ery 'Vi:*ctorian'.　[　Roger <`Phil)&ip Mel=lor