第七日，第#`]/$八夜

剧情简介

This!&/ apoca"() lyptic para%%ble carries= wi
]thin i.\\(t a cl,<ear ec, _ho of < the 196
8 ['in\v< `asion of Czecho+^slovak;ia. T,his unfo^rgi*
v):in )?g exploration of  _the C
</^?ze^#ch mentalit=& y tell:@s the tale of a tr\%oup%"`e o$f= wanderin,'<g
'"!ac tors who perform a passion play in'[= s],;om,;e unname,d village>. Fear -*& of so#\;me u+_n+known dang-+er breaks out *^% in the vill%age, !which is c!ut of[ :f-) from the surroundin"&g w**_orld. Stup+#id"-ity+^, )+'' self:/ishness a"@nd a>'ggr;'essive/\ ;ness then. c@#[ome t.=o the s+.&ur=;face`+
i&n this societ\?y
 unde)r th-
-reat. In @th' ?e fi_lm's ke:]!y scene, a wom"(an: is r
ap[ed by the sel_f-styled< le-"a>)der. Zdenuk Mahler,,]/ wh=o would  later wo&^rk on F<:]#^orman's e$[xam;"inatio
n= Mozart Amadeus, wor@ked on the s<cript.　　The direct<!or Evald Scho(rm (1929-19&\88) was [].one of the mos.,t original m, embers of the =Czech @New Wa]`ve. D u?ring the nor#?malization ^%er)`a, Sc!horm s)-'pent#\ man[y y: `ears unable to dir_"e";ct;>. His last fil<,m, Killing with Kin "@dnes/  s (19-*88) was only made in the=#  twiligh#^t ye@
][ars of Communism%_#. ?=During that \<period@ whe[n \he was u^:nable t_o direct fi#*<+lms, h (>!?e 
became &]<>an outst.
a'*,nding  $?stage director^. He directed groundbreaking produc; tions ]*at]< the +:* Na(. zábradlí Theater: an/&]d La'ter_na Magi#ka.