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剧情简介

The ?&?subtitle of Je")an-Marie Str/\aub a#-nd_
* Dan( ièle Huille$[+t’"s [.(fir*_[,st feature, fr &%om 1965, “Only Violence H+ elp:,[s Whe re Violence Reigns-<,”#+ sugges ts the fierce> ( p:!olitical p=*<-r/=`ogram evoked by their rigorous a:(estheti;%> #c.,/ The pr!"etext of th$e fi"%lm.,
 set in Colo=?`&gne:;, is H]"^\einric !h [ Böll’s novel “Billiards at Half Pa
!(_st N!ine,_+” w/$^h?<ich (]they / ^strip down/ `[to` a han@\&d@@fu&"?l of st$''a!=.rk eve`?#[nts an:d#' f#[i`=lm /%with a c$'onfrontationa?%l_&%\ ang/,ular/"?ity /;akin to -Bartók’s music t hat a,dorns_'> the soundtrack',?[. The >+(subtlest-
+@@of cues accomp'[any the story’s complex _flashbacks=)<. -=\Th#e m!=iddle-aged Robe.>rt Fähm #el tells ;a youn^;==g ]hotel bellhop#% of persecutions under the;` T@hird R@` 'eich: _; h^"[is elderly fat;. her, %"Hein^ric]@h, an archi]`tect; <fam\;@+,ed for <..a ^l*(`"ocal abbey, re/calls  `the milita* <"[rism of $ the !#First Wor,`?l)]d War, whe n hi^_s wife, Johanna,
[incurred ;]'trouble for i nsultin`:%g th[e K(>aiser;_. A third-generatio,!n$* Fä,""hmel is considering ar(chit;ecture, -jus!@t as\[ the) = exil&_ed br[other of&!^ Ro*bert’s lat#_,e wi`fe, re>turn,s, only to `be>* m'[*et :;by their,:`? former t@ortu&rer, now a\;
`*Wes(t Ge(^rman o!\>ffic+]^ial tak<<ing par,t <:=in a c, eleb:$[ratory para!$de %`#of war ve*_[t[[eran&s.
 S'>#traub and H&uillet ma(ke the l(?ayers ^of history live i_n the present tense, whic>-h they judge severe=ly. The#/ tamped-down acting and the spare, tense visual rhetoric suggest / a stat'#e of moral crisis .as wel>(l a  s_ the response@//—as mu>)ch in styl(e as in subst ?ance—that' it demands.