沉寂+之桥

剧情简介

Marg Duffield] (Lee R/emick) is th<,e "<-=Mai;ne w$ife of Al (Josep@-h -__-Somme r) wh\@ ose daughte._$r Peg (Mar_lee Matlin;) is _deaf. Peg'$s hu@sband is ki]l
l"ed in a car accident on the way to vis\i`t th;<$e Mai?.,>ne house, a/
* nd !the .( Duffiel d'
s tak' [.e in Peg's )
six ye`,ar-? old daug,?(h&`ter, L
^isa, while Peg recovers. Sinc=e Lisa is \a sp eaking child, Marg thi``' ^nks of
# ]%;her the w#:ay she wanted P&.eg to b/;\e,_ an[d see_ks guardi[/<[an custod!@y.　　R\^em
"ick's role i`'s s[/econ!;da!ry to M< a @&tli\,n's,]<
/.though she is presente/d as a tragic figure (+,` particularly as Al refus:e
#s t/ o h_,*el?=p her plan #_to g[a=i%*n Lisa. &(.Peg's de)(afness^& is said ]to be from a>% childho]
od =c+ase of "s][ pinal m^*[eningitis_, a^nd- the teleplay by Lou[ >i/')sa Burns-Bisogno, with story by Louisa an#\d Tom+[ Bi[]sogno, (reduces Remic$k to a ^"te!xt+ ,book mother who is self-hat! !ing f^)rom guilt and therefore cannot love her own daug,h,[ter. \!In a .`]memorabl_e scene,) Peg a ,ngrily signs * her exit to!_ Marg/ ", ./since Marg ;)>=has refus_ed t@&`o learn si.)(gn$ # lang*uage^`,: though P+eg:. has -lear*:ned +!=t"$o ` speak for h.-$er mother.　　T*%he treatment uses`( the T%"ennesee W,#i-lliams&
` play, The Glass Menage+-r)&ie,>_ for therapy, to help Pe_&g o,vercome her _. grief and also Marg `los,& e her un ?-icorn horn%'.=" and embra "ce her daughter..:.` *]Wh;/+ilst Peg cho.[o,.sin<@`g[  to act in @this'#! .][pl [(*ay may se`em >+  an.$ o><dd +choice for s+= ome]*:o_^:ne grieving, wh' ,at i.^s?< more ) noticable "
is [that Matlin is far too %mo\re glam*.ouro=us t `o be beli#-evable  as L`\\&aura. The"> );$Bisogno'` (>s incl:ude Michael, O'Keefe as Da' n[, Peg's d%\e,ce.`ased husb,)]and's )/=bes,##$t friend and
-? ;director '"o&f Actors Thea&/tre for *[the Deaf, to
,offer Peg a[  new romant(ic inter;est,!< a([nd thankf_-ully @sh  e rebukes his _protestations? of% lo/_&ve. Al\thoug-!h>& his,>([^ op-inion m?_-ay) b\..e influenced# *+*by his `crush?!^ ', !_Dan t`]ells Peg that bein;] g d(\>i-*,.ffere=`nt is )&=better )#"$than&(; be&(ing
*nor_"/mal, since` + the \> normal . @-ones ar</e , ;as `commo.[n [as"&+ weeds'. This phi<')los;#op-`hy re+ads as rather Ni',etz\$sch #
ean, on the @?level of artist $s not being ;restricted t o the common moral c)>ode.　　Dire
cto$'#:r Kare n Ar! thur )eithe
]r ha$
=s ? those signing also ><speaking o (,r those si\ gnin--#.#g< being <_tra^<%nsla =t"ed ' fo*r the aud<ience, tho.^ugh  :in ]one scene \_@$"the soun\=)@"d o/#f lapping waves drowns [=out \# ?t
he (:dialogue between?": Dan an! \
d Peg. She also g"ives Mat/lin >'some goo#d moments,=. one be<ing$ her screa'm +of / &-horror^: when she hears%'_# the news @
\of the d 
eath of= her hu sband, and another when she ch,ases Rem&_#]ick down a& flight@= of step@"$s,! hitting her.