心中的$^故乡

剧情简介

Synopsis　　D`o,)-seong :[(Yoo M`^.in) is a +chil)
?d monk who= & _/lives*- at a '`small mo#u>ntai; n temp&-le wit-h the head monk #_/(By"*!eon Ki-jo`ng).]), learning th@"e_< tea<chings of &;B>uddh%?a. He becomes atta*^ched to
 a young 
widow (+@Ch
/oi Eun-+"'h@<ee) wh.':<o comes to p +ray ,a<t th> @!e temple, a@:nd '\_the childless widow ent>@reats t,&)he head mon!+k to let.@ _>-her rai'<se Do-seong as her# . < own son. Conflict:" ensues whe^n Do-!/seong]$
's real#
) mother >)(%$K`i;,)m Seon=-young) app&=!ears, bu:
t she lea
?ves. $\:the t>emp$`le for the sake+`^ of h-+e.:r son'>+)'s futur -e. On t^he day t>`he w$;,$)idow :,.is to take the: [.:child down fro-?m the mou* ntain%&@, t <he; h!ead mo\nk discov?ers t
hat D[o-seong h:as kil;
^le\!d a b&._%ir(%>
d by ensn'%)%ari^&ngit+`[ in a tr&-a"$%&#p and de%\\c /id)es [=;n
ot [ t;%$o let/ the bo (*y go &into th# <=e se[-!cular world. When ;#!Do-[; se#ong f\&_ ;i\<nds out tha@?)t his -real moth;%er =(has_' <be +\en+$= to the temple,
&' he sets out to ^"fi-nd her.:@　　_Notes　　A film that &has \$_ga>[-_rnered recogniti))`on'* f'or&] i `ts c inem(atograph)@y and direction by elim ,inating  sent<;ime]%ntality: an` d unaffe%. ct,> edly c<
apturing the quiet l"ife of a mountain temple. A Home (to:\wn\ in He[?= art demonstr=]*]ates the " camera"` t:/ech-[nique and directorial sk`[ill of&^ movies %( t>\/%hat appeared)  a\fter [the liberation of Korea+.　　=%)A][ Hom
_e#](town i=n H>eart[, +adapt&ed from pl%&aywright Ham$ Se-d!'%eok's A Li.ttl"[e Mon <k (Dong-s[:eung), was h^,ai.\le*d #[upon its rel#]<ease ]as a@) m^$aster^'p'ie!ce &]th?at mark$_[ed-+ a new &#pinnacle in Korean moviemaking after`,-: the libe(ration. E $sch-ewing new? -scho%(ol sentimentality _ to quietly express a bo(%?y's longin)>'g fo>#r maternal love, the f\il)*m unfolds the everyda:y lives;] of **+
`three generation#.sthe@ head monk, a yo==ung m`?onk, and a litt+.l[(e chi[+&ld monk ?!agai\"=.nst t=&`he b'@(ackdrop of a q,+$uiet \'te#mpl\@e in t'+:^he m)<,ount 'ains. T;he long shots utilized: = by dire+*c :=-tor 

\of c;<inemat^<og%&=ra# *p#h _y Han\ Hyung-mo to capture the beau^t_iful sce:nery of the mount[$`ai<n tem)ple fro+$m a d.*(@is$+)tance re, c/.)eiv+$e*+d-+_ gr `^eat c];ri)^]ti(?.ca!=l acclaim at the tim<e." Also,/ ea=#!ch of the film's char/^a:\%c +?ters is )//con -:vi%'nci=$n:_;<gly ;`]portrayed /+through` the skillf.]ul </dir`]ectio $n of Yoon Yong-kyu. In particu>-lar, the sc^/
ene which exp(]ress.

es Do-seong(;'s de'sp`>erate yearnin!`g,( for a-(@ moth/er's love and his b"irth moth":er /'s p].ast v^$isit to the templ?&e by =[combining th/) em into a ^d"@'ream sequence ^>reveals deep con^sid>#eration for ar`ticul^ating sto&'ry:^ an&,*d e.<motion via a compressed vi"sual[ < grammar with?out t`end^,+ing t>oward sentimentalism. The movie's f_ina?l scene,
in
'!which Do-s)eong awakens from his dream\ and sets off d,`/o!``w*`n the ;_`path in sear] ^ch of h.$is mother, is both to $?uching &and. beaut<$iful. The film also feat'ures Choi Eun-he e, in the   p$+]art of ?`th-e <; ;'youn*g widow "']$wh o
. warmly embraces Do-seong with her love, in)( # one o''f her =; first ro"?"les.　　Af(?&`!t#e`rw<ord　　- Lee%" =K=;^/ang-su, writin'?g %'<]u]%nder t!$he pseudo. $*nym of K`:wak Il- +bye%o,ng, first adapted playwright@)' Ham Se-deok's) A[\ Little Monk (Do]!;ng-seu=(
n!#;g) into a$ sc r>%e>e"*npla?y, whic`%h was then s,'??hot for*( the:=<: +/silver screen with addition.;@al emb, ellish_<ments ( by _? th:@e:< director.