造物的&:奇迹

剧情简介

Wu%nder der )+<Schöp]?]fung is a ^n ex"tr$aordinar*:^y, fascinating K_!-[ulturfilm=< trying to explain t ,he ;;.whol=+_e human@ knowled#ge of the 1920.s * =ab;"out the w%]orld a`nd the '`u`#n](-ive<>;=#rse.)= 15 ",`special effec#ts ex*perts and 9 .$ cameramen were involved in t]he production of thi@'s film which c')/*ombines* docume!ntar?]+y scenes," <?\histo,,ric/>_(al docume n>?=[ts, fictio
n )el]ements, animation sce; nes and educational i?mpact. I\ %;t its be%'auti);
fully colored, *`u%si _ng tinting an_>d toning) i$( !n a very elaborated
:? wa,+* y. Some visual ideas in t\'he seq*;uenc><es' _ wit
+h* a sp#'a)ce shutt#>:.le visiti\ng different pla;ne(]`%ts /in t[<he universe */s.:[ :eem to ")have/ to be th
e in] spiration f)or Stanl);e$>]-y >*$K $$ubrick's 200/;( =1 A Space O
dy!ssey.$　　I n the c^
\@ont ext of**#' G !/ermany's Ku\!ltur)- ]>f<^:ilm >pheno%]menon, Wunder der />Schöp:fung w[as a`mon>%g the g_"-'reatest a_;"chievements of the 1920s. The pro',ductio,((n was constr *ucted,)' r<"*.eh=ear`
sed, (and s-;!h\ot over a perio-d of two and a half yea@>!r&>s , under the supe/:\\rvis (ion of ]-Hanns Walter Ko">[*rnblum. Th
;(e ide*a to descr'@ibe the >u (/)niv>_:=erse+
 and man's p<`la c"`e in i]@,t well suited %@UF:A's Grossfilm men).%tality, o/ne\ year before the Met$]&ropo`lis catastrophe. = \Hundreds 'of skilled craf+tsm=en participated in !_the p "&%roject, building!] props and co?nstructin#
g scale^$, models drawn by!;)+ <'1:#5 spe.cial effects draug$h(! t$<-sme>n,:< while 9 camerame),n in sep^ arate units w orked @ on th[e h)is]&t(//or&ical, documentary, fi'ction, animati
on,,/ and: science-fic
tion +$sequences. Wi+
tho--(ut $;\star;)->' r@&$oles or even ]%#p=*ro,tagonists, the film#*'s& p!,^:lot is crowded with +#me-*t
iculou* -s<%'ly struct .<ured an^d skil;lfully[ a`@c@=ted single scenes *-an artful mos+a'&i!c of small vignet+!tes. No less than fo%u&r +credited university \p"^rofe])ssors#/ e] nsured ?$=the fa>@%ctual ba+*ckgroun;
\d be;,hind the? sci/>*
e =ntific an$)d ')historical even\ ^ts portrayed.　　The fi%]lm!;'s symbol .%of progress and the new=@ sc,;ie\/ ntific e>/ ,ra is?] a spacecraf&t ,  travel\*_ling through the .>Milky=< Way, making al/.-l the pl[`a'nets .,and. their inspiring worlds f^#'@ami-)liar- to us, wi (th ):the extravaga?&nza of t+ >heir distinctive f*ea'tures. The f%'ilm',s e\?;duc%ational inte])nti
/ons, however, be<\com`%/>e steadi ly more obs^cure, humorou\/s, or\=" ._ev.&en :<campy as this pop=;/ular]ization proj:'+ect proc*eed+\$s .. With the e;\ 
xcuse.. of@ pres:,enting! the en.d of the world: -"a not-so-ne/-w co :%ncept as a%^
n,>ew, und"en@\:ia'<bly>#+$ scientifi #--;c ["tr(uth],? + the film v%` ;>eers <
happi
<[ly %`along a .^new path-, displaying det^^;ailed^&<= apoca] \ly+\\ptic scenes+^_ of !the end of mankind_?'. For today'"$s ",$audiences, thi(^s a /m(\azin/_g f-il?m demons-t`[<\rate \%s how the u<!niverse was comprehend
 ed ."in the 1920s, and how that/!&:` view &=w&as sold to co&ntempora%(-ry au*^ die*>
nces.