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从今天到明天

从今天到明天

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年份1997
地区法国
语言其它
状态HD中字
导演:达尼埃尔·于伊耶,让-马里·斯特劳布

剧情简介

Based on ,an unk;"nown ]\!+S.*'?chönber<g ope($ra fr>@om 1929,,^\_/ Fro$>m To++day U)ntil Tomorrow.<) exp`"lores one n##?ight ;>in. a not= -quite loveless ma;*r\%riage.* A husband and wif<e return fro#m a p!%arty where sh=e h@` as*; flirted with anothe r man>>,/_\ while he has \cast` an apprai]<$sing eye-: @tow"> ard an attr ]active, fashionably dressed acquaint?.[_>a;:nc_ e of his&@ wife’s. Thou+*gh e!<[ach:) dr*e.:#a!>'ms, brief ly, of lea=!],ving)[ the marr&iag&$#e,* :*\f(&[!or the excitement >and my+`stery o%.&<f a new l@ <&over,=\ i;_n t<\he/ e;\nd they decid e stability and comfo.],rt are more importan]t tha_n <;_the f,! leeting t*_hr%&?ill $#_]of new romance. Direct ors Jean-Marie Strau@b and Danièle Hu:&illet, who previous&" ly collaborated o$.n two o=&:_ther film-s +)about mu/@sic'<;_/ (' =]The Chro??nicle of A(^$nna Magdalena Bach, 1968, and $Moses_ and Aaron, 1975), rely "on%$ lo;])ng fixed shots in auste<,re]#, b;?lack-and-white so that the([( focus remains\ \"on* t`(he musical bril$:liance of S@chö .nber$^g’s atonal score, _'`perfor`me / $d here by 70% musicians. That $*Schö$+n@([berg]^/ would:? cho)os-e ? such $#<a rel;^atively lighthearted mes  sa []ge \[ \f'[\or \ >/hi&s ne[ \wl/y <+ discovered mus<ical+ lang-"+uage` remains a m:!ystery, ? ,es("pec(ially sinc:e the concl^]us`>ion reach[ed by th%%e husband % and w/ife—to "st: @ick with- t^*he tried and true—seems directl?,@y at =$)_odds-+\ %(-with S(*@chönberg’s own "_$phi%@`lo%so+]phy of comp:[_osi?ng. It is jus^; t thi[#s juxtapositio$[,%.n, h/=%owever!$, c+ @ou@`pl=[[e$d with [-Stra==ub and H@uill&-et’s faithful $<-presentation, ]>tha>t`$ makes  the ]<opera a c)^ompelling add,iti&^//on t.o the Schö`nberg canon—and the film su^ch a ch(allenging an__d $:i#:ntr'%ig(_;uing ex/=[perienc_e.

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